|
Curriculum
Vitae:
2008, HUDSONS AT MASSMOCA, North Adams, MA.
BERKSHIRE SALON AT ECLIPSE MILL, Group show.
LICHTENSTEIN CENTER GALLERY,
Exhibition of Irish themes, Pittsfield, MA
COMMUNITY ART
GALLERY, Adams, MA.
With Michael Miller and Joanna Gabler.
2007, INTERSECTIONS, two-man exhibition with
Jeff Hudson, THE GALLERY AT NORTH ADAMS ANTIQUES.
2004, DAEDALUS RESTAURANT,
Harvard
Square, Cambridge,
MA.
Exhibition of digital Iris prints.
2001, LUGH FINE
ART, Harvard Square, Cambridge,
MA. Exhibition of Iris prints.
2001, FOGG
ART MUSEUM, Harvard
University,
Cambridge,
MA.
Iris prints acquired by Marjorie Cohn, Weyerhauser
curator of prints for the permanent collection.
2000, Cyber Arts
Festival, LUGH FINE ART, Harvard Square,
Cambridge, MA.
Exhibition of Richard’s digital Iris prints.
2000 Richard was a
co-founder of SPECTAIRE INC, Cambridge, MA, a
non-profit collaborative of event designers and artists. To creatively
implement COMMONLIGHT, a series of four seasonal light events for the
City of Cambridge
and Cambridge Arts Council to celebrate the MILLENNIUM, the SPECTAIRE
collaborative produced four vast city-wide events. The collaborative was
involved in all phases of production for these events.The
City
of
Cambridge
received four events, unparalleled in scope to celebrate it’s
history, commerce, and civic mission.
2000, CAMBRIDGE
ARTS COUNCIL, Cambridge, MA.
"Illuminations" an exhibition of digital IRIS prints for the
benefit of AIDS patients in the city of Cambridge.
1999-2000,
AQUINE.COM, Boston, MA,
an online gallery of fine art. Richard served as curator, preparator
and wrote copy about the artists’ work for publication on the web site.
1998 "Light
Fall" SASAKI ASSOCIATES, architects, Watertown,
MA. Collaborative installation with Matt Belge of folded aluminum screen sculpture and computer
controlled projected theater light.
1994 "Light
Forest" DeCordova & Dana Museum
& Sculpture Park,
Lincoln, MA.
Collaborative installation with Matt Belge of folded
aluminum screen sculpture and computer controlled projected theater light.
1993 "Light
& Word" Lugh Fine Art, Cambridge,
MA. Collaborative sculptural installation
with Matt Belge & Nicholas Rofougaran
of folded aluminum screen sculpture and computer controlled projected theater
light.
1992 "Blood
& Stone" Mobius Performane Space, Boston,
MA. Environmental lighting design for an
electronic tuba duo performance of Philip Van Ouse
and David Auerbach.
1990 "Shadow Garden" Herning
KunstMuseum, Herning,
Denmark
for "KAEGLE, KAERN, LUYS"
an exhibtion dedicated to light in art to celebrate
the Danish summer solstice. Folded aluminum screen sculpture and computer
controlled projected theater light installation.
1989 "Dark
Star" Bromfield Gallery, Boston,
MA. Folded aluminum screen sculpture and
projected theater light installation.
1986 "Shadow
Dream" The Brucknerhaus, Donaupark, Linz,
Austria for ARS
ELECTRONICA an annual festival dedicated to technology and art. A
collaborative outdoor sculptural environmental artwork with Matt Belge consisting of folded aluminum screen sculpture and
computer controlled projected theater light.
1986 "Imagining
Antarctica" Municipal Museum
of the City of Linz,
Austria. Conceptual
artwork comparing climatological data on Antarctica
1985 "First
Light" for FIRST NIGHT, Boston, MA.
An outdoor environmental light work at the FIRST
Unitarian Church,
Boston, MA
employing computer controlled theater light to evoke the Aurora Borealis.
1984 "Tetrahedra & the Penumbra Effect" for FIRST
NIGHT, at the Alpha Gallery Newbury
St. Boston, MA.
An installation of folded aluminum scr een sculpture and cast shadow.
1984 "Light
Garden" for Art & Light
Symposium at the Center for Advanced Visual Studies, Massachusetts
Institute of Technology, Cambridge, MA.
An installation of folded aluminum screen sculpture and projected theater
light.
Collections:
**Fogg
Art Museum
print collection, Harvard University, Cambridge, MA.
Massachusetts College
or Art, Boston,
MA Herning
Kunstmuseum, Herning, Denmark.
Pamela Warden, UrbanArts, Boston &
Pepperil, MA
Sir Anthony Cornish, London UK
Awards and grants:
2000 New England
Foundation for the Arts development grant for the Spectaire/Common
Light project
proposal.
1998 Loeb Fellowship
nomination by Heinrich Hermann, phd. Harvard
University Graduate
School of Design.
Return to top
Publications:
2000 ArtsMedia magazine Boston,
MA review by Grace Consoli
of the Cambridge 2000/Commonlight projects.
2000 Art New
England Boston, MA
review of the Commonlight projects.
2000 The
Cambridge Chronicle, article by staff writer Peter Payack
to accompany the Commonlight projects.
2000 The Boston
Globe, article by staff writer David Abel to accompany the Common Light
projects.
1994 The Boston
Globe, review by Marti Karlock of "Light
Forest" at the DeCordova Museum, Lincoln, MA.
1990 Kaegle, Kaern,
Lys, Richard
Harrington essay for the exhibition included in the exhibition catalog.
1986 "Shadow
Dream" essay for the ARS ELECTRONICA festival catalog.
Speaking
engagements:
1999 Artist’s,
scientists, & light engineers panel discussion of light in the coming
Millennium at Cohen
Art
Center,
Tufts
University,
Medford, MA.
1998 Artist’s
discussion for "Light Fall" SASAKI ASSOCIATES, architects, Watertown,
MA.
1994 Artist’ s discussion for "Light Forest" the DeCordova & Dana Museum & Sculpture Park, Lincoln, MA.
1992 Guest speaker
for Francis Olshafskie’s undergraduate class on
PHOTOSHOP and typography.
1990 Panel
discussion on the topic of light in art for "KAEGLE, KAERN,
LUYS" Herning Kunstmuseum,
Herning, Denmark.
1989 Guest speaker
for Cameron McNall’s undergraduate class on light, Graduate
School of Design, Harvard University, Cambridge, MA.
1985 "The state
of art" a public symposium, The Provincetown Museum, Provincetown,
MA. incuded
co panelists were Grace Glueck, New York Times
art critic, and Eleanor Munro, author and art critic, ART NEWS
magazine, Bud Hopkins, artist and author, and Jim Peters, artist.
1984 The artists
speak on light for "Light Garden"
for Art & Light Symposium at the Center for Advanced Visual
Studies, Massachusetts Institute of Technology, Cambridge,
MA.
Education:
1984 M.F.A., Massachusetts
College of Art, Boston
Massachusetts
1976 Projects in environmental art Center for Advanced Visual Studies,
Massachusetts Insitiute of Technology, Cambridge,
MA.
1971 B.F.A., Massachusetts College
of Art, Boston,
Massachusetts
Richard has also had
an equally extensive career in digital graphic design including freelance
font editing for digital type houses including Adobe Systems and Bitstream Incorporated.
Return to top
|